architorturedsouls:

Three-Roof House / PLAIN WORKS
ph: Kyungsub Shin

astudyingreymatter:

doctorofwhut:

theticklishpear:

From Old English Bindery

Wait, what? That’s how it’s done?

^Right?! I never knew how the gold detailing on book bindings was done. And this… isn’t how I thought it worked out, for some reason.

(via todayintokyo)

westfriend:

pon-raul:

westfriend:

pon-raul:

explanatorypower:

harleyanncarter:

rasec-wizzlbang:

dalaisa-katili:

local-emo-mom:

anarcho-individualist:

explanatorypower:

i dont understand this at all and america scares the fuck out of me

This is the america they don’t want you to see

i love america

This is what you call Waffle House at 2 am when the bars close and everyone is drunk and hungry

*group of people having fun*
this site: wtf this is so scary

HONESTLY
@explanatorypower
just shut the fuck up

These people act like animals and what are you going to do

must suck seeing people have fun and friends

and what are you going to do

Not be scared by drunk white girls eating waffles to start

and what are you going to do

(via abonethrownfromthevoid)

socialclaustrophobia:
“Edoer Agostini (Italian, 1923–1986), Dinamica percettiva [perceptual dynamics], 1975. Acrylic on canvas, 60 × 60 cm. via
”

socialclaustrophobia:

Edoer Agostini (Italian, 1923–1986), Dinamica percettiva [perceptual dynamics], 1975. Acrylic on canvas, 60 × 60 cm. via

(via thunderstruck9)

thunderstruck9:
“Kuzma Petrov-Vodkin (Russian, 1878-1939), The Artist’s Family, 1916. Monochrome wash on paper, 38 x 30.25 cm.
”

thunderstruck9:

Kuzma Petrov-Vodkin (Russian, 1878-1939), The Artist’s Family, 1916. Monochrome wash on paper, 38 x 30.25 cm.

via huariqueje

subtilitas:

Skälsö ArkitekterSavannen 12, conversion of a bunker and addition of a holiday home, Bungenäs 2016. Previously, more on the works on the same island from the firm. Photos © Anna Sundström

Keep reading

(Source: subtilitas, via architectureofdoom)

archivemodernarchitecture:

Tjentiste Monument Memorial House, Tjentiste, Bosnia and Herzegovina, 2017. © Nicolas Grospierre

(via architectureofdoom)

milk-of-venus:

Shigenobu Yanagawa ; cover designs from volumes of Nansō Satomi Hakkenden by Bakin Kyokutei - ‘Nansō Satomi Hakkenden’ is a truly epic novel (100+ volumes) that was published in Japan over a thirty year period in the first half of the 19th century. Its author, Kyokutei Bakin (1767-1848), was blind towards the end and his daughter-in-law had to transcribe his dictation.

Bakin was the first person to make a living solely from writing and he was the most famous writer in Japan during his lifetime. His novel, though well received at the time of its publication, fell out of favour in the second half of the 19th century as western influence gained traction and popularity.

‘Hakkenden’ follows the story of eight samurai brothers and their adventures - set in about the 15th century - with themes of family honour and loyalty, as well as Confucian and Buddhist philosophy.

Source

(via japonesices)

cair–paravel:

Peacock feather Chinese fans made for export.

(via japonesices)

labellamacchina:

Desert Palisades Guardhouse

Palm Springs, USA

Studio Ard Architects 

(Source: studio-ard.com)

iivrajic:
“I forgot
”

iivrajic:

I forgot

(via rawforms)

moment-japan:
“ 高桐院
ここの紅葉は、色だけじゃない。
枝ぶりや、散り方までしっかり眺めること。
この国には、自然との接し方にもきちんと御作法があります。
千利休にゆかりの深いお寺にて。
「そうだ京都行こう」JR東海  高桐院編CMコピーより
”

moment-japan:

高桐院

ここの紅葉は、色だけじゃない。

枝ぶりや、散り方までしっかり眺めること。

この国には、自然との接し方にもきちんと御作法があります。


千利休にゆかりの深いお寺にて。


「そうだ京都行こう」JR東海  高桐院編CMコピーより

(via dummy-kanji)

(Source: cornflakepizza, via egrek)